Fabrice Puchault the Director and Editorinchief of the Documentary Section of the Arte
06/23/2021
#StorytellingMatters Interview with... Fabrice Puchault, Caput of Gild and Civilisation Department at ARTE
Sunny Side of the Doc 2021 aims at helping bring to low-cal talents and stories which question, engage and impact. Through a series of #StorytellingMatters interviews, discover the vision of our almost influential partners in the international documentary ecosystem.
Be together! Please introduce yourself and tell united states of america briefly what your company's main objective at Sunny Side of the Physician.
I'm the Head of the Society and Culture Department, one of the documentary departments at Arte France, the French section of the European culture aqueduct, Arte. Our department co-produces: History documentary films (20th century) every bit either ninety' one-offs or equally 3-six x 52' mini-serial; 90' investigative documentaries; xc' in-depth films by major auteurs; and 52' club-based films, etc.
Attending Sunny Side of the Dr. is first and foremost a way of supporting a valuable initiative, an international and continental market identify for documentary. It's also most trying to observe partners to offer Arte'due south viewers a range of programmes that open upwardly the world and tell major stories reflecting changes in club.
Nosotros are a European broadcaster and then devote special attention to history and major global events. No role of the world is excluded from our co-production policy. Publicly-attainable, powerful stories can sally from anywhere.
Be positive! What has been your greatest professional accomplishment over the concluding 12 months? What lead to this success?
Our accomplishments are down to our team and associated filmmakers.
Iii things that make us proud: Our 10 x three'30 animated documentary series Liberated! produced by Ovidie looks at prejudices and taboos around female sexuality. This series generated more than 18 1000000 views in the space of five months via our Arte.television receiver platform and YouTube channels.
2nd, Arte.tv and our network channels generate more than 138 million views per calendar month in French republic. The channel has transformed into a platform available in six European languages and we have succeeding in reaching a wide range of younger audiences.
And finally, the documentary Flee for which we were the offset co-producer on board with Concluding Cut For Real and Vivement Lundi, which won the World Movie theater Chiliad Jury Prize: Documentary at Sundance Picture show Festival 2021.
Be inventive! What new strategies are y'all looking to develop in order to attract international partners equally well as provide engaging content in 2021/2022?
Our media is changing rapidly. We now consider our iii editorial offers (Arte.boob tube, the linear channel Arte, and our network channels) all of equal importance. These three media enable viewers to access our programmes in dissimilar means.
Platformisation, hyperdistribution and Europeanisation are three key elements of Arte's strategy. Co-production agreements are too becoming essential for putting together a unique offer, as well as intra- and extra-European editorial cooperation agreements. We volition undoubtedly identify more emphasis on purchasing programmes of international value, and sometimes in priority for our non-linear streaming formats.
All this will be inside our specific editorial policy. We're obviously not looking to compete with super-powerful global digital players, but simply offer a apparent alternative past being present where audiences are.
Be aware! To that extent, what volition make a good documentary pitch/meet for your organisation this June? What'south the best mode to reach out and commencement co-creating?
We desire to be surprised by powerful projects and original creators. But we're besides looking for a powerful stance and opinions. We're looking for comprehensive stories no matter where they're from, as long as they intrigue and capture Franco-German and European audiences. Off-kilter opinions that are open-minded and accessible, offering viewers stories about the complexity and ambiguity of real life, stories with a powerful dramatic element that follow facts and existent lives as closely every bit possible.
In that location's no point in offering u.s. a 12x52' series on tanks and submarines – nosotros're not the channel for that. Want to become in touch with our team? At that place's no underground recipe. The all-time way is to send united states of america a project in keeping with our editorial guidelines. For a amend understanding of what we're looking for, visit our website in English: arte.tv/en
Exist inclusive! How is your organisation stepping upwardly to the challenge of fulfilling a mandate for a variety of voices and a more than inclusive pipeline of upcoming storytellers across the entire production process?
Co-production is indeed a tool for inclusivity.
Outset, every yr we're increasing the presence of women every bit filmmakers and directors (which today make up around 40% of our department's programming). What'south more than, over 25% of our programmes are co-produced with countries all over the world, with films from Arab republic of egypt, Mali, Nigeria, Russia, Taiwan and Chili, made past both male and female filmmakers from these countries.
For example, nosotros joined forces with the Generation Africa initiative atomic number 82 past Tiny Mungwe and Don Edkins, which features more than than 20 films from East and West Africa. The film Zinder past Nigerian director Aïcha Maky, has been met with corking success. For French filmmakers, we focus on supporting emerging talent of dissimilar genders and origins. Arte sets out to discover a diversity of viewpoints. This is one of the near important elements of our editorial policy and ane of the hallmarks of our programming.
Be inspired! Who would you want to put on the spotlight at Sunny Side of the Dr. 2021, for some well-earned recognition? And why?
I don't really know what "inspired" actually means… perhaps rather "engagement", "develop" (in the photographic sense), "question", "search". As Agnès Varda in one case said: "When making films, I don't desire to show things, but to give people the desire to see."
That said, if I had to give a name, I would say Alice Diop for her picture show We, which was awarded with Best Film at Berlinale Encounters 2021. Her flick equally a utopia shows "us" in a country – French republic – and every bit a society which is dislocating under political polarization and the ascent of racist nationalism.
Interview | #SSD21 | Storytelling Matters | Sunny side of the Dr. 2021 | ARTE | Fabrice Puchault | Gold Partner
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